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Guide PERFECT RATIOS | IQMAXXING
Joined
Aug 21, 2025
Posts
351
Reputation
451
INTRODUCTION
While definitions of beauty can vary across different cultures
and periods of time, there are specific patterns and proportions that are deemed
universally attractive. This is named most famously The Golden Ratio.


Screenshot 2025-11-17 at 17.28.15.png
Many historical figures such as ancient Greeks, Renaissance artists, and 17th century astronomers and 21st century novelists took a particular interest in this number. It is a numerical value that goes by a variety of names, however most popularly, the "golden" number: 1.61803399 and the ratio 1.618:1, represented by the Greek letter Phi (Φ φ)
Similar names: Golden Ratio/Number/Proportion/Mean/Section, Divine Proportion/Section. This guide will explore and study the number Phi, and its mathematical cousin, the Fibonacci sequence, and it's direct link to the Golden Ratios of one's face, numbers and measurements that make up a beautiful face.



MATHEMATICS of the Golden Ratio
All schools, globally, explained the rules of
Pi, it's meaning and how it is used
in the realm of mathematics. However, not many curricula
included presenting it's cousin, Phi.

Both Pi and Phi are irrational numbers with an infinite number of digits after the decimal point as indicated by usually and ellipsis. Where Pi is equal to 3.14..., and the ratio of the circumference of a circle to its diameter, Phi (1.1618...) is the Golden Ratio that results when a line is divided in one very special and unique way.
To illustrate: imagine you were asked to take a string and cut it. There's an infinite amount of number of places that you could cut it, and each place would result in different ratios fro the length of the small pieces:large pieces, and of the large pieces:entire string.
There is one unique point, however, at which the ratio of the large piece to the smaller piece is exactly the same as the ratio of the whole string to the larger piece, and at this point this Golden Ratio of both is 1.618 to 1, or Phi.

golden-ratio-segment1.gif


Screenshot 2025-11-17 at 19.39.15.png
Screenshot 2025-11-17 at 19.40.03.png

^ Depictions of how the golden ratios and Phi are everywhere.



1763408721807.png

HOKUSAI

Japanese artist Hokusai’s iconic ukiyo-e print The Great Wave off Kanagawa, made in 1831, is a more recent example of the golden ratio. While the wave may at first appear wild and spontaneous, closer examination reveals that Hokusai has in fact made a mathematically ordered design, in which a series of curved lines follow the golden ratio sequence.
Thus Hokusai observes that even in its seemingly wildest moments, there is often pattern and structure underneath the forces of nature.
This links to faces. Beautiful faces with a seemingly parallel amount of beauty to that of the (idea of the) most perfect person in the world.

Phi and The Golden Ratios are also expressed (naturally) through nature; the elements, through art, through simple things like shells, the human teeth and the structure of a beautiful face.



GOLDEN DECAGON MATRIX
Screenshot 2025-11-17 at 19.59.32.png
Screenshot 2025-11-17 at 19.59.41.png


The Golden Decagon Matrix is not only the geometric “source code” for DNA, and hence life, but also of the attractive or “beautiful” human face as well.

The face is entirely constructed from the “golden decagon matrix” configuration. This is why all of the “phi elements” appear in the face.

The basic framework of the face is a golden decagon matrix which we refer to as the “Primary Golden Decagon Matrix”. This primary complex forms the geometric framework of the face as well as the borders of the face (perfect ratios, proportions, harmony etc.)




Making the face

Screenshot 2025-11-17 at 20.03.54.png
Screenshot 2025-11-17 at 20.04.08.png
Screenshot 2025-11-17 at 20.04.26.png


These 3 images depict how the Golden Facial Mask is applied to create
the Archetypal Human Face - a face with pretty feminine, estrogenic features,
and thus what any sane human would consider a beautiful face. The Golden Ratios
are behind all of this, the harmony and proportionality of the figure's face making them
pleasurable to look upon. Geometric shapes are utilised to perform how enclosed spaces
create such nice features.

The extensive appearance of Phi throughout human form (in the face, body, fingers, teeth
and even DNA) is most intriguing, as well as the perception of human beauty. While normies
may argue that beauty is in the eye of the beholder, evidence and data supports that
what we perceive as 'beauty' in both men and women is based on how closely the proportions
of facial and body dimensions relate to Phi.

Phi is hard-wired into our (sub)conciousness as a guide to beauty.

This is why Phi is applied in surgeries such as facial plastic and cosmetic dentistry. It
achieves the most natural and beautiful results in the facial features and appearance
if performed correctly, well and as natural-looking as possible, so as not to
deceive one's brain and have them recognise the patient had used
surgery to enhance/fix anything.





Citations/References;
https://centreforsurgery.com/facial-beauty-standards-golden-ratio/
https://www.goldennumber.net/golden-ratio/
https://www.thecollector.com/what-is-the-golden-ratio-and-how-does-it-apply-to-art/
https://www.beautyanalysis.com/research/our-research/making-face/

Next thread; How to analyse your face in terms of the Golden Ratio.
BUMP TS NEEGARHS
 

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Orka

From .org
Joined
Sep 4, 2025
Posts
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Reputation
672
what am I meant to do with this info :confused:

decent thread though, just can't really implement any of it
 

Orka

From .org
Joined
Sep 4, 2025
Posts
549
Reputation
672

Floonth

Sometimes Stress
Joined
Nov 9, 2025
Posts
211
Reputation
333
INTRODUCTION
While definitions of beauty can vary across different cultures
and periods of time, there are specific patterns and proportions that are deemed
universally attractive. This is named most famously The Golden Ratio.


View attachment 6107
Many historical figures such as ancient Greeks, Renaissance artists, and 17th century astronomers and 21st century novelists took a particular interest in this number. It is a numerical value that goes by a variety of names, however most popularly, the "golden" number: 1.61803399 and the ratio 1.618:1, represented by the Greek letter Phi (Φ φ)
Similar names: Golden Ratio/Number/Proportion/Mean/Section, Divine Proportion/Section. This guide will explore and study the number Phi, and its mathematical cousin, the Fibonacci sequence, and it's direct link to the Golden Ratios of one's face, numbers and measurements that make up a beautiful face.



MATHEMATICS of the Golden Ratio
All schools, globally, explained the rules of
Pi, it's meaning and how it is used
in the realm of mathematics. However, not many curricula
included presenting it's cousin, Phi.

Both Pi and Phi are irrational numbers with an infinite number of digits after the decimal point as indicated by usually and ellipsis. Where Pi is equal to 3.14..., and the ratio of the circumference of a circle to its diameter, Phi (1.1618...) is the Golden Ratio that results when a line is divided in one very special and unique way.
To illustrate: imagine you were asked to take a string and cut it. There's an infinite amount of number of places that you could cut it, and each place would result in different ratios fro the length of the small pieces:large pieces, and of the large pieces:entire string.
There is one unique point, however, at which the ratio of the large piece to the smaller piece is exactly the same as the ratio of the whole string to the larger piece, and at this point this Golden Ratio of both is 1.618 to 1, or Phi.

golden-ratio-segment1.gif


View attachment 6127View attachment 6128
^ Depictions of how the golden ratios and Phi are everywhere.



View attachment 6129
HOKUSAI

Japanese artist Hokusai’s iconic ukiyo-e print The Great Wave off Kanagawa, made in 1831, is a more recent example of the golden ratio. While the wave may at first appear wild and spontaneous, closer examination reveals that Hokusai has in fact made a mathematically ordered design, in which a series of curved lines follow the golden ratio sequence.
Thus Hokusai observes that even in its seemingly wildest moments, there is often pattern and structure underneath the forces of nature.
This links to faces. Beautiful faces with a seemingly parallel amount of beauty to that of the (idea of the) most perfect person in the world.

Phi and The Golden Ratios are also expressed (naturally) through nature; the elements, through art, through simple things like shells, the human teeth and the structure of a beautiful face.



GOLDEN DECAGON MATRIX
View attachment 6133View attachment 6140

The Golden Decagon Matrix is not only the geometric “source code” for DNA, and hence life, but also of the attractive or “beautiful” human face as well.

The face is entirely constructed from the “golden decagon matrix” configuration. This is why all of the “phi elements” appear in the face.

The basic framework of the face is a golden decagon matrix which we refer to as the “Primary Golden Decagon Matrix”. This primary complex forms the geometric framework of the face as well as the borders of the face (perfect ratios, proportions, harmony etc.)




Making the face

View attachment 6135View attachment 6137View attachment 6138

These 3 images depict how the Golden Facial Mask is applied to create
the Archetypal Human Face - a face with pretty feminine, estrogenic features,
and thus what any sane human would consider a beautiful face. The Golden Ratios
are behind all of this, the harmony and proportionality of the figure's face making them
pleasurable to look upon. Geometric shapes are utilised to perform how enclosed spaces
create such nice features.

The extensive appearance of Phi throughout human form (in the face, body, fingers, teeth
and even DNA) is most intriguing, as well as the perception of human beauty. While normies
may argue that beauty is in the eye of the beholder, evidence and data supports that
what we perceive as 'beauty' in both men and women is based on how closely the proportions
of facial and body dimensions relate to Phi.

Phi is hard-wired into our (sub)conciousness as a guide to beauty.

This is why Phi is applied in surgeries such as facial plastic and cosmetic dentistry. It
achieves the most natural and beautiful results in the facial features and appearance
if performed correctly, well and as natural-looking as possible, so as not to
deceive one's brain and have them recognise the patient had used
surgery to enhance/fix anything.





Citations/References;
https://centreforsurgery.com/facial-beauty-standards-golden-ratio/
https://www.goldennumber.net/golden-ratio/
https://www.thecollector.com/what-is-the-golden-ratio-and-how-does-it-apply-to-art/
https://www.beautyanalysis.com/research/our-research/making-face/

Next thread; How to analyse your face in terms of the Golden Ratio.
BUMP TS NEEGARHS
Mirin the effort
 

Orka

From .org
Joined
Sep 4, 2025
Posts
549
Reputation
672
?

bro is it that bad of a topic to post about
I mean I haven't seen a thread discussing this yet (assuming you're diving into specifics for each measurment)

but the ratio measuring culture of this community is cancerous tbh

most people on here are migrated discordians though so I'm sure they'll appreciate it anyways 👍🏻
 
Joined
Aug 21, 2025
Posts
351
Reputation
451
I mean I haven't seen a thread discussing this yet (assuming you're diving into specifics for each measurment)

but the ratio measuring culture of this community is cancerous tbh

most people on here are migrated discordians though so I'm sure they'll appreciate it anyways 👍🏻
ohh tysm bhai ofc, ill be powering neurons together to make it in depth as possible w as many correct visuals :feelsokman:
 

DNR

6’4 Ltn
Joined
Nov 10, 2025
Posts
155
Reputation
172
INTRODUCTION
While definitions of beauty can vary across different cultures
and periods of time, there are specific patterns and proportions that are deemed
universally attractive. This is named most famously The Golden Ratio.


View attachment 6107
Many historical figures such as ancient Greeks, Renaissance artists, and 17th century astronomers and 21st century novelists took a particular interest in this number. It is a numerical value that goes by a variety of names, however most popularly, the "golden" number: 1.61803399 and the ratio 1.618:1, represented by the Greek letter Phi (Φ φ)
Similar names: Golden Ratio/Number/Proportion/Mean/Section, Divine Proportion/Section. This guide will explore and study the number Phi, and its mathematical cousin, the Fibonacci sequence, and it's direct link to the Golden Ratios of one's face, numbers and measurements that make up a beautiful face.



MATHEMATICS of the Golden Ratio
All schools, globally, explained the rules of
Pi, it's meaning and how it is used
in the realm of mathematics. However, not many curricula
included presenting it's cousin, Phi.

Both Pi and Phi are irrational numbers with an infinite number of digits after the decimal point as indicated by usually and ellipsis. Where Pi is equal to 3.14..., and the ratio of the circumference of a circle to its diameter, Phi (1.1618...) is the Golden Ratio that results when a line is divided in one very special and unique way.
To illustrate: imagine you were asked to take a string and cut it. There's an infinite amount of number of places that you could cut it, and each place would result in different ratios fro the length of the small pieces:large pieces, and of the large pieces:entire string.
There is one unique point, however, at which the ratio of the large piece to the smaller piece is exactly the same as the ratio of the whole string to the larger piece, and at this point this Golden Ratio of both is 1.618 to 1, or Phi.

golden-ratio-segment1.gif


View attachment 6127View attachment 6128
^ Depictions of how the golden ratios and Phi are everywhere.



View attachment 6129
HOKUSAI

Japanese artist Hokusai’s iconic ukiyo-e print The Great Wave off Kanagawa, made in 1831, is a more recent example of the golden ratio. While the wave may at first appear wild and spontaneous, closer examination reveals that Hokusai has in fact made a mathematically ordered design, in which a series of curved lines follow the golden ratio sequence.
Thus Hokusai observes that even in its seemingly wildest moments, there is often pattern and structure underneath the forces of nature.
This links to faces. Beautiful faces with a seemingly parallel amount of beauty to that of the (idea of the) most perfect person in the world.

Phi and The Golden Ratios are also expressed (naturally) through nature; the elements, through art, through simple things like shells, the human teeth and the structure of a beautiful face.



GOLDEN DECAGON MATRIX
View attachment 6133View attachment 6140

The Golden Decagon Matrix is not only the geometric “source code” for DNA, and hence life, but also of the attractive or “beautiful” human face as well.

The face is entirely constructed from the “golden decagon matrix” configuration. This is why all of the “phi elements” appear in the face.

The basic framework of the face is a golden decagon matrix which we refer to as the “Primary Golden Decagon Matrix”. This primary complex forms the geometric framework of the face as well as the borders of the face (perfect ratios, proportions, harmony etc.)




Making the face

View attachment 6135View attachment 6137View attachment 6138

These 3 images depict how the Golden Facial Mask is applied to create
the Archetypal Human Face - a face with pretty feminine, estrogenic features,
and thus what any sane human would consider a beautiful face. The Golden Ratios
are behind all of this, the harmony and proportionality of the figure's face making them
pleasurable to look upon. Geometric shapes are utilised to perform how enclosed spaces
create such nice features.

The extensive appearance of Phi throughout human form (in the face, body, fingers, teeth
and even DNA) is most intriguing, as well as the perception of human beauty. While normies
may argue that beauty is in the eye of the beholder, evidence and data supports that
what we perceive as 'beauty' in both men and women is based on how closely the proportions
of facial and body dimensions relate to Phi.

Phi is hard-wired into our (sub)conciousness as a guide to beauty.

This is why Phi is applied in surgeries such as facial plastic and cosmetic dentistry. It
achieves the most natural and beautiful results in the facial features and appearance
if performed correctly, well and as natural-looking as possible, so as not to
deceive one's brain and have them recognise the patient had used
surgery to enhance/fix anything.





Citations/References;
https://centreforsurgery.com/facial-beauty-standards-golden-ratio/
https://www.goldennumber.net/golden-ratio/
https://www.thecollector.com/what-is-the-golden-ratio-and-how-does-it-apply-to-art/
https://www.beautyanalysis.com/research/our-research/making-face/

Next thread; How to analyse your face in terms of the Golden Ratio.
BUMP TS NEEGARHS
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